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Refined linseed oil - Auxiliaire Huile

REFINED LINSEED OIL 1 L

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Discover Pebeo's oil auxiliaries, essential tools for bringing your artistic oil creations to life. ...
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Detailed Description

Product description

Discover Pebeo's oil auxiliaries, essential tools for bringing your artistic oil creations to life. These auxiliaries are designed to offer you a multitude of options and possibilities, allowing you to prepare your support, modify the properties of oil colours and obtain impeccable finishes while preserving the durability of your works.One of the advantages of Pebeo's oil auxiliaries is their ability to prepare the surface before applying the colours. Whether you wish to improve adhesion, smooth the surface or create textured effects, these auxiliaries allow you to obtain a solid base adapted to your artistic needs.Pebeo's oil auxiliaries also give you the ability to modify the properties of oil colours. Whether you want to increase transparency, speed up drying time, add shine or create special effects, these auxiliaries are there to give you total control over your colour palette.The finishing and conservation of your works are also taken into account thanks to Pebeo's oil auxiliaries. These products are specially formulated to provide optimum protection and durability for your creations. Whether you are looking for a matte, satin or gloss finish, these auxiliaries allow you to obtain professional and long-lasting results.Finally, Pebeo's oil auxiliaries also include impasto mediums, ideal for creating relief and texture effects in your oil paintings. You can play with thicknesses, impastos and shades to add dimension and depth to your work.
Extracted from linseed, this excellent binder provides pastes that are very pleasant to work with, hardens them faster and thoroughly and gives a resistant finish of depth and great beauty. Clear, low acid, despite its tendency to yellow in the dark, refined oil offers the best of linseed oil. It allows for diluting the colour and increases its brightness. Thinner: mineral spirits or turpentine. Diluted in this way, it can be used as a painting medium, however this carries the risk of delaying the drying of the colour and making it "sticky" if used in too large a quantity.

Properties

Based : Not applicable

Format : 1 L

colour : REFINED LINSEED OIL

Product EAN : 3167866501045

Instructions

ESSENCES AND THINNERS

► Rectified turpentine essence *

Properties:

    Origin: Obtained by distillation of the resin of certain varieties of pine trees.
    Matte appearance less accentuated than petroleum essential oil

Applications :

This volatile essence is used to dilute the first layers of colors. The bottle will have to be kept capped, away from light, avoiding long periods of storage.

► Odorless mineral spirits *

Properties:

    Origin : Resulting from the distillation of petroleum.
    Matte appearance less accentuated than petroleum essential oil

Applications:

This essence, which offers solution settings close to turpentine, has the advantage of having a very low odor.

► Petroleum essential oil *

Properties:

    Origin: From the distillation of petroleum.
    Makes colors matte

Applications:

An excellent thinner, petroleum essential oil evaporates much more slowly than turpentine and allows for prolonged work on pastes.


OILS

► Refined linseed oil

Properties:

    Origin: Extracted from the seeds of the flax plant.
    Clear, slightly acidic oil that tends to yellow in the dark.
    Cleaning : Mineral spirits or turpentine

Applications:

This excellent binder produces pastes that are very pleasant to work with, that harden quickly in depth, and form resistant and beautiful films. It helps to thin the color and increase its brilliance.

► Clarified poppy seed oil

Properties:

    Origin: Extracted from black poppy seeds.
    Brighter than linseed oil, less drying, it hardly yellows
    Cleaning : Mineral spirits or turpentine

Applications:

This oil is particularly suitable for grinding light colors. This excellent binder enhances the shine and is only used when dry.


MEDIUMS

► Colorless painting medium *

Properties:

    Composed of acrylic resin and poppy oil.
    Non-yellowing, it dries without evaporation of the solvent
    Cleaning : Mineral spirits or turpentine

Applications :

It allows to fluidify the color without thinning it while enhancing the brightness, the transparency and the depth. It is used progressively to create deep and luminous glazes. It strengthens the adhesion of the paint layers.

► Fragonard Gel Medium *

Properties:

    Composed of alkyd, acrylic resins, and polyamide wax.
    Glossy and transparent
    Cleaning : Mineral spirits or turpentine

Applications:

It differs from colorless painting medium by more body. It fluidifies the color without losing its nervousness. With its great qualities of brilliance and transparency, it allows you to obtain glazes of exceptional brilliance. It reinforces the adhesion of the paint layers and accelerates the drying of the color. Used primarily in the top layers.

► Colorless XL Painting Medium

Properties:

    Alkyd resin based
    Good resistance to yellowing
    Cleaning : Mineral spirits or turpentine

Applications:

More consistent than colorless painting medium, it thins the color without thinning it by giving it transparency and a satin finish. The color and viscosity of the product may change slightly over time before use without changing its performance.

► Florentine Medium *

Properties:

    Composed of alkyd, acrylic and colloidal wax resins.
    Satin and transparent
    Cleaning : Mineral spirits or turpentine

Applications:

This satin medium makes pastes more transparent at high concentrations. It is used to make glazes that round out perfectly to obtain pleasant satin surfaces.

► Dutch Medium *

Properties:

    Composed of alkyd and acrylic resins.
    Glossy and transparent
    Semi-pasty, it dries by oxidation and practically does not yellow
    Cleaning: mineral spirits or turpentine

Applications:

This glossy and transparent medium offers exceptional working possibilities. Used in small quantities, it makes pastes more bound and richer, giving them a high quality of thread for precise execution. At high concentrations, it gives beautiful shines and depths and glazes that round out easily.

► Structural Gel *

Properties:

    Based on alkyd resin, drying oil and hydrated alumina silicate
    Translucent
    Cleaning : Mineral spirits or turpentine

Applications:

This translucent gel lengthens color and gives an economical, slightly satiny paste. When used in large quantities, it allows for a lively and clean paste that responds to all demands. It can be added up to 50% to obtain a more economical paste of the same consistency.

► Impasto Medium *

Properties:

    Composed of polyurethane resin, hydrated alumina silicate and beeswax
    Thick and opaque paste
    Fast drying
    Cleaning : Mineral spirits or turpentine

Applications:

Often used alone, this paste allows you to work in very thick layers and create reliefs where you can then paint over them. Used at more than 50% in a mixture with the color, it makes it more matt and white. It can be softened by adding Florentine medium.

 

Legal Information

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Made in France by Pébéo

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